(一)研究方向
现当代美术史论
(二)承担课程
外国美术史(研究生),媒体人文(本科),文学人文(本科)
(三)科研成果
著作
英文著作:
NegotiatingA Global Identity: Communicating China in Art and Visual Culture(London and New York: Routledge, forthcoming)
译作:
[翻译Trans.]《主权自我:从启蒙运动到先锋派的审美自律》,必威betway西汉姆联网站出版社,待出版(原作:GrantKester, The Sovereign Self: Aesthetic Autonomy from theEnlightenment to the Avant-Garde, Duke University Press, 2023)
代表性论文
代表性英文论文:
“Sewingthe Self: Art, Needlework and Liu Beili’s IntersectionalIdentity,” Spring 2022, Journal of Contemporary Chinese Art, Vol.9, No.1&2, Special Issue “The New Generation: ContemporaryChinese Art in the Diaspora,” Bistrol UK &Wilminton USA:Intellect Ltd., pp. 113–31.
“(Inter)Dependency:Privately-Owned Art Museums in State-Sponsored West Bund,”January/February 2018, Yishu: Journal of Contemporary Chinese Art,Vol. 17, No. 1, Taipei: Art & Collection Group Ltd., pp. 30-45.
“InternationalizingMao: Creation of the Mao Cult in China Reconstruye and Its Receptionin Latin America,” Autumn 2017, Journal of Contemporary ChineseArt, Vol. 4, No. 2&3, Special Issue: “Making the New World:The Arts of China’s Cultural Revolution,” Bistrol UK &WilmintonUSA: Intellect Ltd., pp. 161–81.
章节:
“AtavisticCulturalism and ContemporaryRelevance:Modern Chinese Paintings in the Second National Arts Exhibition(1937),” in Histories, Politics, and Practices: Exhibiting ChineseArt in Asia, edited by Selina Ho, Amsterdam: Amsterdam UniversityPress, forthcoming.
“Nationalismon the International Stage: Chinesische Malerei der Gegenwart,1934,” in Ink Meets Oil: Chinese Artists Trained in Europe(1920-1945), edited by Sarah Fraser and Kuiyi Shen, Leiden: Brill,forthcoming.
[翻译Trans.]《作为文学社会学范畴的艺术体制》(TheInstitution of Art as a Category of the Sociology of Literature”) ,《20世纪西方艺术社会学精粹》,周计武编,中国社会科学出版社,2022年,第398-424页
代表性中文论文:
《<洗手间>的阈限空间:崔岫闻影像艺术与女性主义跨媒介性》,《外国美学》第38辑,2023年,第184-200页
《图绘跨媒介性:从文学理论到电影研究的知识旅行》,《艺术百家》,2022年第一期,第32-40页
江苏省“双创博士”人才计划(江苏省,2022-2024)
“交织的现代主义:中国艺术家欧洲留(游)学考”(EntangledModernisms: Chinese Artists Trained in Europe)(盖蒂基金会,2017-2018)